![]() When attempting to avoid clipping between plugins, this is especially crucial because the channel fader may not always signal to clip if another kind of processing is applied after the origin of the clipping. Despite these minor flaws, the plugin does provide a feature that few other free plugins do: an output clip indication. However, it appears that this function is just a phase inverter. A "Wow" function has also been introduced, which is claimed to change the phase relationship to create a "psychoacoustic" effect. ![]() The main offender is a "VU" meter that is used to measure the drive function-in essence, this "VU" doesn't really serve a purpose because it just signals that more harmonics are being added, which any user might understand by simply increasing the drive function. Sonimus made some fascinating if unneeded, design decisions. The low and high bands can be adjusted in four steps, while the mid-channel can be swept from 150Hz to 4kHz. The shelf filter is used in the low and high bands, while the bell curve is used in the middle band. The user interface is straightforward, and it works well for constructing natural-sounding broadband equalization curves. The SonEQ is a three-band equalizer with both a low-pass and a high-pass filter. ![]() This plugin is a no-brainer for anyone trying to transfer the sound of a pricey studio classic into their DAW, and it deserves a spot in anyone's collection. Ignite Amps generously shared PTEqx, which is a true treasure of freeware. There don't appear to be any presets supplied, which is a shame, but you can easily copy and paste parameters between different plugins, which is great for duplicating tones or combining portions. The user interface is clean and simple just keep in mind that CPS is Hz and KCS is kHz, which is a quirk of the original units that IA has preserved. This does imply locking some controls or limiting their accuracy to a set of numbers, but this gives each setting a purpose and improves workflow by ensuring you don't sweat the small stuff if it doesn't matter.Īs a result, PTEqx is better thought of as a tone shaper rather than a problem solver. Ignite Amps has gone to considerable lengths to guarantee that everything here forms tone in a beautiful, musical manner. While you are here, you may also be interested in reading about 10+ Best Bass Amp VST Plugins + Download as well. Different tube versions are available, similar to SlickEQ, and their effect on the sound is slight, but more evident with softer sounds since the extra harmonics are more readily perceived. If you don't, the output will include both high and low-pass filters to limit the total range of frequencies. PTEqx excels at altering the mid-tone in particular, and the majority of the parameters are targeted at this range, although it can also add muscle to the low end or air to the top if needed. If you enjoy pursuing vintage studio tones, Ignite Amps has supplied a substantial free EQ built after a well-known set of hardware equalizers. If you're enjoying this article, you might want to check out our article on 10+ FREE Drum VST Plugins to Download Now now for more information. If you appreciate what this plugin accomplishes, you might want to upgrade to the premium "gentleman's version," which includes a Japanese EQ model, numerous additional distortion kinds, and other features like automated tone matching. SlickEQ gets the job done with little fuss for those who require a rapid tone-shaper with easy presets and a modern design. Unfortunately, automation of the controls appears to be impossible - apparently, the plugin must perform too much number-crunching every time a value is adjusted, resulting in loud clicks. Another useful feature is automatic volume leveling, which ensures that the audio going out of the plugin is the same volume as what goes in, preventing thoughtless mixing errors in which the louder sound is regarded as better. Again, subtlety is crucial, and even when toying with the 'calibration' setting, it's impossible to discern any distortion, albeit there is a flavor that stock parametric EQs lack. In the 'output stage' area, there are four possible models for saturation shaping ('silky,'' mellow,' 'deep,' and 'funky'). If you're having trouble hearing it, make sure the EQ Sat button is turned on - it's off by default, and you'd be forgiven for believing it's just a label. Rather than severe heat, subtle touches of saturation are employed for mild harmonic augmentation. The four versions (American, British, German, and Soviet) alter how the EQ plugin controls react rather than the sound itself, and the documentation contains helpful charts for those who want to go into the details. The TDR VOS SlickEQ, a free EQ that claims a variety of tone-shaping capabilities with a variety of EQ and saturation models, is the first plugin to be evaluated. ![]()
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